Dimension：100X100 cm    edition of 6

当木木遇上罗布泊

文/任兰

(2001)

When Mumu meets Lobupo

By: Ren Lan

蒋志“木木”系列作品之罗布泊篇摄于公元两千年六月，一次穿越荒漠之旅。木木从早年江南水乡的婉约女子，春光烂漫的花仙子，

媚眼如丝的可人儿等诸多角色中摇身一变，面目全非。

Lobupo edition of Mumu serial photography were taken by Jiangzhi on June, 2000 during his trip across the desert of Lobupo. 

Mumu reformed from her early images: young girl of small town, flower fairy, pretty little girl etc. into something else.

在这辑照片中，焦点聚在了广阔无垠的存在背景上，主体却模糊不清起来，定格成《没有人要的宝贝儿》里忧伤的蓝色剪影，

《但是爱》彩霞满天前隐约的侧影，《远走》的灰白天空中急速移动的影像。。。夹在巨大苍茫的天地之间，个人被还原成飘忽不定的魂魄。

In this edition of photos, the focus were at the background, the subject, however, became vague. 

Mumu became the blue figure in “the unwanted baby”, the image in front of evening sky in “But love”,

the moving shadow on the gray sky in “Go away”… A man became a drifting soul between the sky and desert.

沙漠的那一边还是沙漠。行走在完全的孤寂中，凭吊一代文明萎谢后的荒凉，人的渺小与脆弱像火辣日头曝晒下的骆驼尸骨雪白刺眼。

与此同时，无可回避地要向上苍进行古老的追问——我是谁？我来自哪里？我将去向何方？而答案，像魂魄一样，在风中飘荡。

At the other end of sands is still sands.  Walking in absolute loneliness, seeing the abandoned city after an ancient civilization,

one can not help feeling small and fragile.  You naturally face ultimate questions: who am I?  Where am I from?  Where am I going to? 

The answers follows in the wind like ghosts. 

当木木遇上罗布泊，或者说，当蒋志遇上罗布泊，二者都无法毫发无损地全身而退。他们如沙丘般被大漠疾风所侵蚀、改写、重塑。

过去是历史的废墟，明天是未知的神秘，现在则是孜孜的流沙，不舍昼夜地从指缝间溜走。虽然爱，会让人裂开，但是他们还是伸出手去。

天使就这样呈现在我们眼前。

木木长大了。如果说早期的木木使我们感知的更多是轻灵有趣，那么现在，它不止是迷人的精灵，更难能可贵地拥有了一种悲天悯人的情怀。

这悲悯是天使丰盈的翅膀，一下一下沉甸甸地击打观者的心灵，让人身不由己地疼痛，无可救药地悲凉，若有若无地希望。

When Mumu or Jiangzhi meets Luobupo, either of them can leave without a trace. 

The wind of desert will reshape her the way it reshape the sand.  Love, will break you, but they still reach out for it.

  That’s when the angel appears in front of us.

Mumu has grown up.  Mumu in her early days seemed to be bright and cute, now, she is more than a pretty fairy,

she has got a heart of mercy.  These are the wings of her as an angel, and they strike the heart of viewer one after another.